"Creating tomorrow's heirlooms today"

original design . reproduction . restoration

windows . lamps . mosaics

 


"There is among people of educated taste an increasing demand for craftsmanship possessing purity of design and stability of construction, which are the essential elements of enduring worth. The advantage of surrounding ourselves in our homes, in our churches, and in our public buildings with objects of intrinsic merit hardly needs to be urged. Apart from the conscious pleasure and the unconscious education which such surroundings afford, there is the economic gain of permanence, achieved through careful workmanship, and through the fact that handicraft which possesses beauty and originality is independent of passing fashion. We see this in the many admirable pieces of work which have come down to us from former times and are now doing service for a third or fourth generation of owners.

There are not, however, enough antiques to meet our requirements, and if there were, the craftsmanship of one century could not entirely satisfy the needs of the next, so the art-worker of today chooses for study the best types of former times, and from these evolves others which show the distinctive character of his own epoch and the impress of his own thought. "

Louis Comfort Tiffany

river of life window
click on images to see larger & close up

It is my goal as an artist, designer, and artisan, to provide the highest quality pieces tzodiac shadeo those that can appreciate the difference between mass-produced department store products and high end custom products.

My career in stained glass began in 1991, when I began my two year apprenticeship with the late James P. Schlitz, owner and founder of Schlitz Studios and Schlitz Furnaces. I studied, in depth, not only the processes for creating leaded glass shades and windows, but the history of these designs and the artists that created them. Most of my study focussed on L.C. Tiffany, as his shades and windows are the most familiar and commonly reproduced in today's market. I made many reproduction shades, and also a few windows while under Jim's tutelage. I also had the opportunity grape shadeto assist him in his glass foundry, making sheets of glass equal to or exceeding in brilliance the original Tiffany glass he tried to emulate. All of these products were marketed world wide, and the reputation of both companies stood head and shoulders above all competitors. Upon Jim's untimely death in 1993, I elected to stay with the studio and continue his fine tradition of Tiffany reproduction lamps and windows, and even had the opportunity to create a few original pieces in the Tiffany style. I continued with the studio until early 1998, and was the head of production and design during those final years.

Since leaving Schlitz Studios, I have worked with other glass shops, learning about the restoration of windows.oriental poppy shade I also spent some time working for Chicago Art Glass, helping manufacture their line of high-end opalescent glass. While working in these different areas in the last couple of years, I have continued my education in the techniques for the creation and application of glass. I have seen the masterful work of many glass artists in restoring windows from churches and libraries nationwide, and have studied and learned to reproduce their techniques for representing the human form.laburnum shade

I would like the opportunity to introduce you to my original custom designs and reproductions. I employ all the experience and knowledge I have gathered from my teachers and mentors, and will continue the tradition of excellence that the American Art Glass Movement forged at the end of the nineteenth century well into the twenty-first century.

John Van Koningsveld

 

daffodil shade

 

 

wisteria & laburnum shade

All photos contained within this website:
Ó 1999 John VanKoningsveld


Please contact:
John VanKoningsveld
Sybaratic Studios
2200 Northwestern Ave
Racine, WI 53404

Phone: (262) 635 8267
Email Sybaratic Studios