Review provided by Carsten Molt. There was a definite magic in the air as Jillsy and i entered the Pittsburgh Civic Arena on November 5th. We managed to get right up to the barricade that seperated the crowd from the stage. Phil Lesh and his Friends came out at 7:35 and played a jam packed hour and a half that featured a solid "Dark Star" and a "Help on the Way". Slipknot>Franklins Tower set closer. Of special mention was the slide guitarist Derek Trucks who was phenomenal. At approximately 9:30, the houselights dimmed and Dylan and his band took the stage. Dylan was dressed in a white suit with thin black trim along the sides and his country squire black tie. After a quick discussion, they launched into... Roving Gambler(acoustic)- The first tune of the night was the first surprise(it wouldn't be the last) Dylan's vocals were strong and true from the first note and he looked fit and trim and in good spirits. i was expecting "I am the Man, Thomas" but this was very nicely done. Love minus zero/No limit(acoustic)- Larry sat down at his pedal steel and after a few seconds of tuning, the band broke into a very sweet version of the tune. It seemed to be the first tune that the majority of the crowd knew. Dylan was already dancing around quite a bit and smiling. Desolation Row(acoustic) - Another pleasant surprise as i was waiting and hoping for "It's alright, ma" but i can't complain about this pick. It was briskly played and Dylan nailed every line with conviction and intensity. He evidently knew that he had nailed it since after the tune was finished, he fluffed his hair and smiled broadly. Cocaine Blues(acoustic) - another surprise. The harmonies were a bit ragged at times but they were clearly having a great time. Tangled up In Blue(acoustic with harp) - There was no surprise in this slot but it was nicely played as always and the crowd was very into it. Dylan played a lengthy and inspired harp solo at the end of the song which redeemed hearing this song again. On to the electric set... Tom Thumb's Blues (Larry on pedal steel) - The first big surprise of the evening. It was very loose and raw but it was a lot of fun. Dylan did a bit of dancing and leaned into the lyrics with a lot of passion. He was definitely enjoying himself by this point. Shelter From the Storm(Larry on pedal steel and Dylan on harp)) - Another surprise and a very welcome one at that. This was high on my list of songs I'd love to hear live. It was a minor disappointment as the band seemed to fall out of sync as Kemper was off in his own world pounding away like mad on the drums. A couple of mean glances from Dylan did nothing to soften Kempers pounding. Dylan attempted a harp solo after the last verse but gave up when it was evident that Kemper was going to bang his drums as hard as possible no matter what the rest of the band was doing. (Side note) After "Shelter", Dylan walked over to the front of Kemper's drums and mouthed what seemed like "simmer down" or "settle down', maybe "slow it down". It was something like that. Dylan said to the crowd "We're tryin' to get it together" but before he got all the words out the band started the intro to ... Tombstone Blues - This was played loud and fast and totally redeemed the minor disappointment of ‘Shelter". Charlie Sexton and Larry Campbell were both given ample room to play some great guitar leads. Sexton definitely seems to be the lead guitarist now that Campbell sems to be filling in the color that was missed when Bucky Baxter left this spring. Blind Willie Mctell(Larry on Dobro) - Another high one on the list of songs i hoped to see live and it didn't disappoint at all. It was played very slow and passionate with great vocal nuances by Dylan. His vocals were very strong and upfront all night long and especially on this tune. You Ain't Gon' Nowhere(Larry on pedal steel and Dylan on harp) - This was great to hear and this was played very tightly and the vocals by Larry and Charlie were angelic. Their voices blend very well together along with Dylan's deeper growling sound on the chorus. Highway 61(Larry on steel) - As usual, this was a great set closer and always a great time for band and audience. Charlie Sexton played some very good solos while Tony and Garnier laid down a very rocking groove behind him. Dylan was hamming it up with his hopping around and leg wiggling. The song raged loud and strong leaving the crowd in rapture as they left the stage. (Encores) Lovesick- After all but abandoning this tune over the summer, Dylan reworked and reintroduced it with a few vocal changes("i want to take to the road and plunder" became "i feel plowed under") and a slightly darker groove. Dylan was singing very loudly and distinctly into the mic and grinning at the first few rows of the crowd between verses. Cat's in the Well-Wow! Another surprise and a terrific one at that. Lots of soloing and fiery fret work from Sexton again. He was really taking charge in the instrumental passages all night. They played the song as tight as if they had played it every night. It was that technically perfect. Dylan also was leaning hard into the vocals and interacting with the crowd. He was very animated and did several little dances between verses. He did quite a few knee bends and his head bobbing was working overtime. The biggest highlight among a night of highlights! Don't Think Twice(acoustic with harp)-Anything would have been a let down after "Cat's in the Well". This was decently played but nothing special. It was played slower than i remember it being played earlier this year. Not Fade Away- It brought the house down and Dylan was dancing wildly. Campbell smiled for the first time all night as his pick went flying during the instrumental bridge. He half shrugged at Dylan who didn't seem to notice. The crowd was singing along for the whole song and it was as usual a great way to end a great show. Tomorrow, we'll be attending a show at Penn State and after a show like tonight, we can only dream of the possibilities. Onward to Happy Valley. Carsten Molt Jokerman@bellatlantic.net
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