Review provided Rhett Thomas: Howdy folks, Well the first club date is behind us, and in a nutshell, it was a very fine show, though a bit conservative, with Dylan in very fine form. I'm sure our expectations for these shows are huge- we've all heard the rumors, of course....high-profile opening acts, nutty setlists, special guest-stars. Well, the most special guest-star of the evening was our former president Jimmy Carter and wife Rosalyn. No, they didn't join Bob on Rainy Day Women! Remember those warnings of "Show starts at 8:00 PM sharp!" Not tonight at least- the show started around 9:00 because the Prez was late. The scene was worth it, though. Carter and his entourage took up about a dozen seats in the balcony, and recieved a sustained hero's welcome. They were very, very into the show too! It appears that Bob and company didn't arrive in town until today, and also didn't convene anywhere for any sort of extensive rehearsal, so the prospect of "surprise songs" was dim, at least for tonight. And as far as special guest stars, I know from very informed sources that both REM and Indigo Girls had to turn down offers to open these shows, REM because of band disarray with the retiring of their drummer and Indigo Girls because they're on tour somewhere. I t was too late to pull anyone else, so it was just Bob tonight. We in the crowd count Jimmy as the opening act! Bob was present at sound check, though, singing his ass off. He really put a lot of energy into it, which seems unexpected for a soundcheck. Songs that I personally heard that were unusual were an old traditional called "White Dove" which they did twice- one time with a powerful full band acoustic version, the other time without Kemper in a more meditative tone. This was a 3/4 waltz tune, very pretty. He also did "Million Miles", even more smoky barrom blues than on the record, very minimal. Not much later he did "Standing in the Doorway", no singing on this one, but a very lush, quiet instrumental version. God this song is going to be good!!!! The version of "Not Dark Yet" in Columbus was very rushed and frantic, rough around the edges, so I've been worried about the live display of this song. But it was perfect, even if we were listening through a thick metal door with an air conditioning unit buzzing in our ears. I really hope he premiers this tonight. For the record he also did "Cold Irons Bound", "Cocaine", "Stone Walls", "a beautiful "You're A Big Girl Now", and "You Ain't Goin' Nowhere". He also started the soundcheck with an indeterminate 12 bar blues tune. I wasn't there, but the witnesses who heard it couldn't make it out. So I felt really good about the soundcheck. For the few of us on the sidewalk behind the Roxy, it was our own very private, very unusual show. As far as the real show that night, Bob was in very good voice throughout, although his energy seemed to lag as the night wore on. ZThe setlist and comments follow: 1- Maggie's Farm- The show starts with the old trooper, as the crowd seems very interested in President Carter's response. He visibly approves. The sound seemed very good, although from where I was standing the vocals were a bit distant. 2- Shake Sugaree- What a great song, with Bob singing very melodiously. Bob really dug into this one and played a few lead figures, if tha's what you can call them. My friend who is a musician and who hasn't seen Bob live for quite awhile leaned over to me and asked "Is that a solo?" I whispered back, "It would take too long to explain." It seems that for the most part, these shows have taken on the Time Out of Mind ethic that Bob seems to have been nurturing since just before JJ got the boot. No musician stands out, except in the most minimal way possible- the important thing is propelling the basics of the songs along, no self-aggrandizing posturing by any of his bandmates. So his little three note solos are about it as far as solos. 3- Cold Irons Bound- This is the 3rd song now, dammit! For those of you who havent heard it- buckle in! It's a tour-de-force, you're lead down this swampy path of mystery and suspense until the familiar bass line premeditates the coming of the song- then Kemper crashes the spell you've been suckered into and they all come crashing down as one, pounding down the staccato beat, with Bob doing his staccato upstrokes on the guitar hovering around the microphones (yes, that's plural) until he seems convinced that, yes, indeed, he is hearing voices...."I'm beginning to hear voices ..." then staring into the crowd he growls ".....and there's no one around". He wrings every possible nuance out of these words, and then even more that I couldn't conceive of. Chilling! 4- Simple Twist of Fate- Beautiful, just beautiful. Bob is really working hard on the songs through the acoustic set. He barks the lyrics out inthe latter verses like the Dylan of old. 5- Can't Wait- Simply the best version of this tune yet. I got to see the first 13 performances of this tune, and this one rules. Night after night he worked on refining his phrasing and his intensity and all the variables came together tonight. His vocals arched over the music, his lines taking on a bitter, frightening overtone. Very convincing, and probably the best performance of the evening. Get a tape of this! 6- Silvio- Another warhorse. What was amusing about this was that Bucky only played on the instrumental breaks of this song. All the while he sat there with a bemused look on his face, hands tucked neatly between his legs, singing back-up. Very amusing. 7- Cocaine- Another amusing tune, with Larry and Bucky singing into Bob's mike on the chorus. Larry would wrench his back around so his guitar would'nt slap Bob in the face, and Bucky would lean down in Bob's left ear playing the mandolin and they'd all close their eyes and harmonize "Coooocaine...." Made me laugh. It was at his time I realized how short Bob is in comparison to his string players. 8- Tangled Up in Blue- Kinda dull for me, but Jimmy clapped enthusiastically thorugh the whole tune. 9- Mr. Tambourine Man- It was there. Bob sang it real good. 10- Til I Fell In love with You- It was at this point that Bob's energy seemed to drop, and it would slowly drop until the end of the show. This wasn't too outstanding, and I've noticed a general trend with this tune that Larry is way too loud. 11- When I Paint My Masterpiece- Seemingly to rub it in our face that we are witnessing this show at the Coca-Cola Roxy Theater in the "town of Coca-Cola" as Bob sang it tonight. The crowd reacted loudly when he sang that verse. (For those of you that don't know, Atlanta is the world HQ for Coca-Cola, so don't expect to find a Pepsi when you visit our fair town.) 12- Highway 61- One of my all time favorites, but the energy on this was not there. 13- LARS- Bob sang this in a very slow, halting, mannered drawl. Not the best performance of this by a long shot. 14- Don't Think Twice- This was okay, a brief version, no extravagant singing, a little spark was there. 15- Lovesick- The first lyric fumble was at the very end of this tune. Bob was on as far as remembering his lines tonight. He seemed a little miffed at Bucky for some reason, they had a little discussion before the tune and a few glares seemed to be thrown Bucky's way. 16- RDW- Jimmy Carter had moved to the very front row for the encores, and by this time was standing and smiling broadly as Bob passively performed this dreadful closer.It seemed Bob was pissed and very curtly left the stage. He was offstage in aflash without waving goodbye. I was wondering if it was something I said! :) All in all a very good show, the first half extraordinary, the second below average. I'l give it a B- . The soundcheck gets a solid A. President Carter gets an A+ for sticking around the whole show, Rosalyn gets an A- cause I think she took off after "Rolling Stone". I hope to see you all tonight. Come on down! Rhett Thomas Atlanta, GA
Return to Current Tour Guide page
Return to Bob Links
Go to the Set Lists (by city) page (1995 & 1996)
Go to the Set Lists (by date) page 1996 Tour ,
1995 Tour,
Pre 1995 Tours
Go to the Cue Sheet page