This concert moved me in Spirit from the distance that I was in. Down along The Cove: Bob sang.."Down along the cove...I spieddddddddddddd my trueeeeeeeeee love comin; my wayyyyyyyyyyyy..." So much heartfelt passion in this song...it sure carried in the winds. God Knows: I know too, and so do you....Bob sang this song like sending echoes over the hills. I Shall Be Released : "they say everything can be replaced, every distance is not nearrrrrrrrrrrrrrrr...." Bob sang this song with such conviction.."I see my light come shining from the West unto the Eastttttttttttttt...." Bob's band did great with this song! Things Have Changed: I love this song, and the crowd went wild! Tweedle Dee & Tweedle Dum....This song reminds me of the Fool Card in the Tarot deck....if only you'd listened to the dog at your sleeve! Lay Lady Lay....The first time believe or not that I heard this one. Let the tigers replace the ponies at the chariot. Bob sang this song...tears fell from my eyes. I Don't believe You (She acts like We Never Have Met.) : Yes...IF your memory serves you well....how true! Love this song......I saw Larry giggle to Tony...the crowd loved it! High Water : This song was sung so well...and so clear.... Po' Boy : Well well....I remember in 1998 or was it 1999? in Binghamton....where the song first appeared ...but it was freezing cold out...so it could not continue. I love this song and Bob sang from his heart. Highway 61 Revisited : Always a great song to hear Bob and his band play....everyone went wild. Not Dark Yet : ..."Sheeeeee wrote me a letterrrrrrrrrrr...and she wrote it sooooooooo kindddddddddddd." This song has pangs of sadness, and yet healing of the heart. It was a reminder of our inner-life...a time of contemplation. Honest With Me : "Iffffffffffffffff you only knewwwwwwwwwwwwww"...Bob and his band whirled a new tune out of this one. Tangles Up In Blue : "The True-Blue" song....one of my favorites! Everyone went crazy .....the energy was wild !! The band enjoyed playing this one. They made the song roar beyond the distance in itself! Summer Days : A classic in itself....a grand ole' song cycles back! Everyone loved this song!! Bob seems to enjoy playing this one! bye the way I love Bye and Bye and those 30's songs....the pipe organ... Like a Rolling Stone ....The crowd went wild......on this encore song!!! All Along The Watchtower: The end song....which people cheered and wanted more.... This was such a special concert....many thanks....many blessings to you and your band...... Would Love to hear a song you did awhile back..."All Over You." Carolynn Marie Gatos
After an anxious 2 hours in the biting cold, the crowd rushed to the front of the floor--visibly excited. This fomenting excitment was to be the prevailing mood for the whole show. Bob's band came out in matching tan outfits, all with black hats, except for Larry. He actually appeared stoned--or somehow intoxicated--his eyes kept rolling skywayrds. His playing was incredible, regardlessly. The band opened with a rollicking "Down Along the Cove," with Tony's bass thumping and solos by Larry on his Tele and Stu on his black Strat. No harp from Bob jsut yet. Next was "god knows" off of Under the Red Sky, another high energy number. I shall be released was met with an instant swell of cheers and applause...Larry's pedal steel was relevatory--Bob played s harp solo at the end, which the crowd appreciated. Bob's voice was particularly strong--he seemed to actually enjoy his melodies, finding nuances and ways of phrasing that delighted even him. Things have changed was a nice bluesy jam, as was Tweedle Dee. Larry at one point bent down to raise the level of his overdrive pedal--he smiled as he ripped another searing solo. Lay lady lay was awesome--suprisingly similar to the Skyline version, with the same pedal steel licks. Dylan really has a tight connection with his band...through eye contact alone he got them to comp under his great harp solo. Another highlight of the night was Not Dark Yet--Bob made it a moving admittal of his advancing age. After a rockin "honest with me," Larry started strumming the opening chords of "tangled up" and Bob gave a big laugh--this wasnt on the setlist. He sang it with passion and intensity. Not able to look down at the lyrics in front of him, Bob put his heart into the performance. THREE harps solos too--he picked up the wrong key harp for the first, but still blew a mean solo, then closed out the tune with an awesome (in key) solo. Bob gave a huge laugh at the end...and he flashed one of his rare smiles at the crowd. The standard encore of "LARS" and Watchtowwer followed...Tony's bass signal went out but Larry covered the low end on pedal steel rather capably. Incredible energy on the kit by George brought more grins from Bob, and cheers from the crowd. A simply incendiary show. -Dylan Gottlieb
Bob played at SUNY Binghamton's new-fangled basketball court. From where I was standing, about ten feet from center stage --I was the tall guy with the baseball cap, sorry to have inconvenienced anyone, but as will be seen, I had my dose of obstruction as well-- the crowd was made up of the usual suspects: 40-60 year old geezers who knew all of the songs and (the bolder of us) arrhythmic in our dancing, teenagers who thought Bob could be "moshed" to, and of course, the sixties wash-up who comes to these affairs as if they were his birthright. Case in point: directly in front of me, a Pig Pen clone from the sixties was a-twirlin' up a storm yelling for Infidels tunes ("Man of Peace! Man of Peace!" -my guess is that he last saw Bob during the French Girl days) and talking to anyone who would lend a sympathetic ear (no takers, we were not to be men and women of peace). The rest of the crowd for the most part was enthusiastic, if not disoriented at times, as John Wesley, the Basement Tapes, Nashville Skyline -The set list was sublime; what struck me was that despite the fact that all of the songs have been played on the tour quite regularly, tonight's combination was nothing less than a treat: "God Knows", "I Shall Be Released", "Lay Lady Lay", "I Don't Believe You", "Po' Boy", "Highway 61", "Not Dark Yet", "Tangled Up In Blue": eight compositions that present a pretty thorough cross-section of Bob's better moments as a performer. The band, as usual, was great, although I did detect a less-than-enthused Larry Campbell who did not seem to "get into it" until the cittern on "High Water". In all fairness, he was at pedal steel (loved the pedal steel on "Watchtower"!)on many songs so he didn't establish himself as a stage presence until later in the concert. It would seem that he misses Freddy "Fuzzy" Koella; I caught the 9:30 Club and the Bender shows in Washington last year, and together they brought the house down with "Summer Days". Tonight's offering seemed watered down by comparison, and was much shorter. To his credit, Stu Kimball had a couple of nice solos on "Honest With Me", "Highway 61", and "All Along The Watchtower". I found Bob's vocals quite clear, I especially remember the soulful renditions of "God Knows", "I Shall Be Released", "Lay, Lady, Lay", and "Po' Boy", which he should sing more often. Bob was also quite nimble on his feet, after "High Water" he and Tony would converge at center stage in front of Recile and plan the next song, version, etc. He also shuffled, bobbed and weaved (no pun intended) on his way off the stage before and after the encores; he was obviously enjoying himself. Bob speak: he repeated the toe/tow truck joke, this time, with Stu as the butt. He also had the requisite words for George, but I couldn't make them out as Pig Pen redux was a-wailin' at the time. What to do. All in all, a fine show. This was my son's first Dylan show, and I was glad to see that he and his friend were exposed to vintage Dylan as well as the new stuff (Time Out Of Mind, Love and Theft) Wes Weaver
A beautifully clear, but chilly, evening in Binghamton. I think a lot of people (including me) were led to believe that the show started at 7 - - said so on my ticket. Doors opened at 7; Bob began at 8:20. Looked like a new building we were in. To my untrained ear, the sound seemed good & clear. As usual, the guys looked sharp: Bob in black suit & hat, with sort of a gold shirt on. Larry, Stu, & Tony in tan suits with black shirts. George put his jacket on only after Watchtower, I think. So much for the fashion report. Won't go blow-by-blow through the songs. Songs 2 & 3 (God Knows & Released) made for a tremendous 1-2 punch following the opener Cove. Bob seemed fully absorbed in both songs. The crowd responded loudest to Lay Lady, Highway 61, Tangled &, of course, the standard encores (maybe one day those 2 will change). What I enjoyed a lot was Don't Believe You, a sweet Po' Boy & a contemplative Not Dark Yet. Summer Days is fun, but what I heard 2 years ago in Elmira blows the doors off last night's version (I'm convinced the arena that night in Elmira levitated). All in all, I'd give Binghamton high marks. Bob and the guys were engaged the whole time to my eyes & ears. Several nice harp solos from Bob. Stu can't be more than 6-7 feet from Bob, watching him intently. Larry & Tony hovered around George; only once did I see Larry move near center stage, but briefly. God bless those guys - - they are one hell of a unit. When Bob walked out from behind the keyboard, a lot of the time he seemed to be on tip-toes. Not unsteady, but not your normal gait. Actually it was kind of cute to watch him sashay. He acted like he wanted to be in Binghamton, NY, on a Sunday night in November. Happy Thanksgiving, Bob, Larry, Stu, Tony & George. Happy Thanksgiving to all.
Bob In Binghamton,Sun 11-14 04, There were still some piles of snow on both sides of the ever growing line to get in, and it was colder in Rochester the night before,I was told. Bob got things heated up right away at around 8:17 and all us folks millin around up front were groovin to Down along the cove. Larry and Stu layed it down and Bob looked and sounded good in his sparsely sparkled Black Rockin suit and cowboy hat. It didnt take long for him to be drippin sweat, the man works hard!! God Knows was a thankful reminder to all us believers of what its all about(especially on a Sun.) Bob sang it with conviction!! I shall be released was ethereal, beautiful as the band that has traveled from the west down to the east this past lately.Then it was time to be reminded that things have changed, and so did the sound as the sound people tweaked something nicely and took the sound quality up a notch or two.Now it was much easier to understand Bobs words for all listening.Tweedle dee/dum was next, lotsa rhythm!! Lay lady Lay sounded great, Bob sang " whatever colors you have in your mind " under orange lights. It was very well played even though in the end Bob started accidently??repeating prior lines at the end , and ended it in an unusual way that had his vocal and his band fade out simultaneously.He shuffled right over to mid stage and was laughing, perhaps about the ending of the song??They kicked right back into an excellent I dont believe you, before a stellar Po Boy which just may have been the best tune of the night.Bobs voice was so clear and he made that song come to life. I think it was in this song that Bob just picked up the harmonica so quick and nailed the right note so fast it was lightning! Hwy 61 rocked and Not Dark Yet was more steller ness if not song of the night.It is too close to call.Honest with me rocked more, and Bob pulled out three harmonica solos in Tangled up in Blue. Summer Days was a bittersweet reminder to rock out cause it would soon be back out into a seemingly winter night. Rolling Stone and Watchtower do not ever seem to fail. Thanks Bob!!!
After a slight, but charming debauch Saturday night in New York City -- the Neville Brothers, followed by Monte Alexander at a late night jazz club -- I rented a car Sunday morning and drove to the lovely burg of Johnson City, New York. Not Binghamton. god forbid. No, suburban Binghamton. The place is liberally festooned with strip malls. It's where Binghamton University, the former SUNY Binghamton, the former Harpur College, is located. Dylan came on promptly at a while after 8 and proceeded to play the worst show I've seen him do in ten years. But it was still wonderful to see, and here's why. I used to go see the Grateful Dead a lot, and they were a truly improvisational band. Which meant, by definition, that sometimes things just didn't work out up there. They were all very talented musicians, dedicated to doing the best they could, and when it sucked, they'd try anything to get it right. I've seen shows where they struggled and twisted and turned for three-and-a-half hours trying to make something come out right. It's a remarkably intimate and powerful gift to give your audience, to let us see them exposed and vulnerable like that, letting the audience in on every, excruciating moment of trying to make it come out right. I learned more from and enjoyed some of those shows more than some of the great shows I got to see. That's what the Dylan show was like -- he's got a great band that's established some very high standards lately, and he was trying just as hard as they were to make it work -- and just like some of those Dead shows, the only moment they truly got it together was a bittersweet ballad at the end, "Not Dark Yet." He gave each verse, each line, the full measure of his experience and soul. The man just broke my heart.
page by Bill Pagel
billp61@execpc.com
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