Penumbra Music
THREE DAYS presents three soundscape compositions by Hal Rammel.
ELEMENTALS presents electronic music by Thomas Gaudynski composed using multi-channel digital recording equipment and a wide variety of sound sources, including guitar, midi guitar-driven synthesizer, feedback system with digital effects, percussion and prerecorded water, bells and electronic sounds.
IMPROVISATIONS FOR ORGAN AND SAXOPHONE feature seven freely improvised duets by Gary Verkade (organ) and Steve Nelson-Raney (soprano and sopranino saxophones) recorded in 2001.
CUTTING OFF THE EDGE OF TIME collects seven duet improvisations by tenor saxophonist Steve Nelson-Raney and drummer Jon Mueller.
TWOFER features the duet improvisations of guitarist John Corbett with cellist Fred Lonberg-Holm and bassist Torsten Müller.
SCRATCH MATCH features seven dynamic percussion duets by Michael Zerang and Raymond Strid recorded in 1998 at Fylkingen in Stockholm.
SHARDS OF WIGGETT presents twelve solo piano improvisations by Matt Turner exploring the piano's unique melodic and percussive capabilities via both keyboard and direct action on the strings inside the instrument's body.
SLYBERSONIC TROMOSOME features free improvisation across the electroacoustic divide performed by Peter Zummo (trombone, valve trombone, irrigation hose, dijeridoo, superfunnel, and beat thing) and Tom Hamilton (synthesizer, electronics, and beat thing).
breathing features twelve improvisations by Steve Nelson-Raney (saxophones, clarinet, shakuhachi, ocarina) and Hal Rammel (musical saw, triolin, bass drum, amplified sound palette).
RADIOPHAGY presents three radiophonic works by Lou Mallozzi spanning l990 to l996: "Drifters," "Dizzy, not Numb," and "Building from Scratch."
WHOLE OR BY THE SLICE is a collection of eight electroacoustic compositions by Hal Rammel and Lou Mallozzi, the culmination of a two-year studio collaboration at Chicago's Experimental Sound Studio.
VAN'S PEPPY SYNCOPATORS features the acoustic improvisations of violinist Terri Kapsalis, guitarist John Corbett and multi-instrumentalist Hal Rammel. Terri Kapsalis joined the freely improvising duo of Corbett and Rammel (heard on THE DEVIL'S IN THE DETAILS) in 1992, bringing to the trio her abilities as a writer and experience in theatre performance.
THE DEVIL'S IN THE DETAILS features the acoustic improvisations of guitarist John Corbett and multi-instrumentalist Hal Rammel. The sixteen selections on this disc pair the rich variety of John Corbett's guitar improvisations with Hal Rammel's musical saw and uniquely constructed triolin and devil's fiddle.
ELSEWHERES features twelve electroacoustic improvisations and compositions by Hal Rammel created on an instrument he first designed and constructed in 1991. The simple construction of this instrument, the electroacoustic sound palette, belies a wealth of rhythmic and timbral possibilities
Penumbra recordings may be ordered directly
at $13.00 per CD postpaid at:
Penumbra Music
P.O. Box 282
Grafton, WI 53024-0282 USA
experiment experiment experiment
experiment experiment experiment experiment music music music music music
music musisic music musicmusic music music music music experiment experiment
experiment experiment experiment experiment experiment music music music
music music music music music music music music music music music music
musicexperiment experiment experiment experiment experiment experiment
experiment
c music music music music music music music music music music music music music music music experiment experiment experiment iEmail Penumbra Music
Copyright © Penumbra Music
experiment experiment experiment
experiment experiment experiment experiment music music music music music
music music music music music music music music music music music experiment
experiment experiment experiment experiment experiment experiment music
music music music music music music music music music music music music
music music musicexperiment experiment experiment experiment experiment
experiment experiment music music music music music music music music music
music music music music music music music experiment experiment experiment
experiment experiment experiment experiment music music music music music
music music music music music music music music music music music experiment
experiment experiment experiment experiment experiment experiment music
music music music music music music music music music music music music
music music music experiment experiment experiment experiment experiment
experiment experiment music music music music music music music music music
music music music music music music music experiment experiment experiment
experiment experiment experiment experiment music music music music music
music music music music music music music music music music music experiment
experiment experiment experiment experiment experiment experiment music
music music music music music music music music music music music music
music music music